The Art of Luis Tinoco: 2015

Wednesday, December 30, 2015

NEW HOME

GRIMHEARTS1985 has a new home! Click the image to check out the new site or click HERE!

Along with the new site, a portfolio, portraits/studies, digital design and sketchbook galleries have been set up as well as my very own shop for original pieces of artwork! No 3rd party sites, these will all come directly from me and every order get's free goodies. Come check it out!!!
GRIMHEARTS1985 SHOP
GRIMHEARTS1985 SHOP
GRIMHEARTS1985 SHOP

Wednesday, October 7, 2015

Beauty & The Streets (Overture Vol. III)

Ashley in Moleskine

Jessica aka BunnyHarlow in Moleskin

Isa - charcoal and pastel

Study of Jessica - oil on paper

I'm Fighting Every War At Once And I'm Winning

You Don't Give People You Don't Love The Power To Destroy You

The World Is A Beautiful Place And I'm No Longer Afraid To Die

Beauty & The Streets (Time Lapse) from Luis Tinoco on Vimeo.

Beauty & The Streets is more than portraits of beautiful women, it's about the women depicted in the portraits. These women have their own stories, they're living their own struggles. They know pain, love, loss, loneliness, joy, they're strong women who know the meaning of empowerment, passion and freedom of expression of one's own self. They reject utterly sardonic platitudes and know inequality and deal with objectification and misogyny on a daily basis. They know the feeling of contempt for the status quo and subjugation of their freewill and rights. They know that freedom isn't free and that all that has been fought for will need to be taken with an iron fist and loud voice. They represent the voice of all the women who have fought for basic human rights and equality for hundreds of years. A voice that says "I want to live my life freely, peacefully and without judgment". A voice that resonates with the notion of true understanding hat the rights of women should have been standard and that this fight for basic equal rights should have been over a long time ago.

Since 2012 I've made it my mission to produce a body of work where my skills could be utilized to their full potential. I continue to push my limits and hope to explore further narratives and evolve with this series.

Beauty & The Streets is my way of making an otherwise ugliness in the world beautiful.

Previous posts. Prologue , Overture Vol. I , Overture Vol. II

Bombay Sapphire and Art Basel Miami have teamed up once again and are running a contest for artists to win a chance to show their work at Art Basel in Miami later in 2015. I need your help and your votes to win a spot and show the world my series "Beauty & The Streets". Voting is aloud once per day and is on until November 9th 2015 you can VOTE HERE search "Tinoco" in the search field.

Thank you so much for your vote and please help spread the word by sharing this with your friends, family and social network!

Thursday, October 1, 2015

Raven - painted from life during Casey Baugh workshop

Rustin Cohle of True Detective

Stevie Wonder

Imperator Furiosa of Mad Max Fury Road

I often do some small portraits from movies for fun, along with commissions here and there. Above is a combination of them along with a painting I did while attending the painting workshop of Casey Baugh (at the top) I never posted it last year when I completed it.

Enjoy!

Monday, September 28, 2015

Beauty & The Streets (Overture Vol. II)

Study of Mayra aka HellaBreezy in Molskine

Study of Maricella in Moleskine

Hieu Cow in Moleskine

Priscella in Moleskine

Silver aka Softest Hard in Moleskine

Teresia in Molskine

Shevah in Moleskine

Brionna in Moleskine

Marley in Moleskine

"All my life graffiti has always been viewed as something negative, viewed with contempt and disdain. It's been called vandalism and been associated with gangs, however I never and will never see it that way. Gang graffiti is sloppy and not a part of the world I'm familiar with. Real graffiti is beautiful and incredible done by talented individuals and groups of artists/writers exploring and sharing another subculture and world that many are unaware of..." -excerpt from my sketchbook

Old decrepit buildings and structures where large majestic infrastructures once stood and now littered with graffiti are looked upon with disgust and seen as something demoralizing. The graffiti art form's reputation has gotten better with time, but it still carries with it a long negative history that a lot of people can't see past. Locations in the New York, San Francisco, Oakland, the Los Angeles arts district area, old rail yards, abandoned army bunkers, even half abandoned cities like Detroit have all been subject to its share of vandalism, history with graffiti as well as beautification and transformation by it.

As a kid I was amazed by the colors and the shapes the writers could create, abstract almost, vibrant and eye catching. Growing up I was told that it was something bad, and that the neighborhoods where these amazing works of art stood, were bad, but I was always curious. On the news I would see graffiti be given a bad name and the start of it's reputation building. It was seen as being a negative outlet for a depraved underworld, associated with the downtrodden, gangs, homelessness, violence and the anti-establishment. It would be a long time for the reputation of graffiti, and graffiti writers to chisel out their names in history and really define what graffiti was about.

In this sense, women have seen, lived and still live their own struggles. Their rights are constantly scrutinized and taken away by male oppressors in the form of government officials creating laws from seemingly nowhere and keeping women fighting for their basic needs. Unfair wage gaps between men and women, rape culture, "meninism", equal rights and many other forms of discrimination are what women have to face on a regular basis. The worst part is these things shouldn't be happening, yet the majority of both men and women are misinformed due to mainstream media and propaganda used to deter positive influence that and actual facts that could be highly beneficial, but instead is used to propagate a false and twisted view for the benefit of corporations, tax payers/voters and government officials.

In the art world, women and their bodies were immortalized in statues, paintings, carvings, and books. They were idolized and showed us their beauty and power of not only being birth givers, mothers, and care takers, but goddesses able to overcome the toughest struggles, facing countless odds and excel in a male driven society. The Mona Lisa, The Pieta, The Birth of Venus, Salome, Lady Agnew and many more are all perfect examples of the way women should be viewed, treated justly and with high reverence.

Previous posts: Prologue , Overture Vol. I , Overture Vol. III

Thank you so much for your vote and please help spread the word by sharing this with your friends, family and social network!

Thursday, September 17, 2015

Beauty & The Streets (Overture Vol. I)

Original 5 models and basic concept in Moleskine

22nd & Treat - 9x12 charcoal and pastel on tones paper

Naomi - 9x12 charcoal on paper

Crystal - 9x12 charcoal on toned paper

Kat - 9x12 charcoal and pastel on paper

Ms. Miller - 9x12 charcoal and pastel on toned paper

Marissa - 9x12 charcoal and pastel on paper

Stella - 10x15 charcoal and pastel on paper

Nobody Can Save You But Yourself - 10x14 oil on linen

Wild Hearts Can't Be Broken - 13x14.5 oil on panel

Ever since I can remember I've wanted to be able to draw and paint in a realistic manner. To be able to fill up a sketchbook with drawings of people and have them actually look like the person. I wanted to be the best. As a kid, I would never have imagined that this would be possible in bursts of time and that I would be able to take great leaps and learn to adapt as quickly....

For the longest time, I've been mainly working in pencil. Like most artists, this is the tool you start with and stay with forever. You can veer from it from time to time, but inevitably, most artists will always go back to the pencil. In the instances when I veered, I went to charcoal or ink. I stayed in a monochromatic state for years until I got to college, where I was forced to go outside the zone and was challenged constantly to use color in ways I had had only seen in books or a museum. It was in college that I learned to use oil paints. They were very foreign to me and I didn't know what to make of them. I used them now and again in college, but never really showed an interest in them until later in life.

Fast forward to 2012 I was using a lot of acrylic and mixed media to create works, but I wasn't feeling challenged enough and I wasn't feeling like my works were making much of an impact. I decided on a whim to get a few new supplies at the art store - small canvas, paint solvents and medium, and oil paints. Ivory Black, Titanium White and Burnt Umber were the only colors I got since I had some reservations on making a spur of the moment judgment and taking a big leap, but decided that it wouldn't hurt to give it a shot.

I came up with a simple idea of having some friends and models pose in front of textured, old, decrepit walls and buildings decorated in graffiti or chipped paint and rust. Buildings and backgrounds that were seasoned/weathered, that had character to them. Some friends agreed to model for me and we went out to a few places I knew of that fit my particular aesthetic. I took a few hundred reference photos of them in various locations and eventually with different models to suit my needs and add diversity. Before long, I was visiting different cities in the country with new and old friends taking thousands of photos in new locations and establishing more connections with something that started out as a small idea....

Previous posts: Prologue, Overture Vol. II , Overture Vol. III

Thank you so much for your vote and please help spread the word by sharing this with your friends, family and social network!